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  • takashi yamauchi (J/E)
  • namu (J)
  • takashi yamauchi (ENG) japanese
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    exhibition 2001 : What's the difference between...? „Ÿ Five Artists from Japan„Ÿ
    press release
    press release, photo,

    Period
    20th September, 2001„Ÿ19th October, 2001
    openning reception, 20th September, 2001 19pm
    artist talk, 22th September, 2001

    place
    Kunstbuero, Kunsthalle 8, Future Garden Schadekgasse iwienj

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    The information technology revolution overwhelmed the world and is spread broadly. Due to this, we can get enormous sources of information from any country in one second. Nowadays, it is common for anyone to have a virtual address in cyber space. There, anything is possible while sitting in your living room. Shopping, studying, investing, making new friends or even meeting a lover, under the name of e-business.
    The consequences of such a flood of superficial information make us misunderstand that we can get any information. Can we really? For example, what can Japanese know about Vienna? Vienna coffee, Sacher torte, the city of classic music... Nothing, almost. I can ask the same question about Tokyo to Europeans. What is the difference between Vienna and Tokyo? The only thing we both know is that people in Europe and Japan must be very different.
    Even though the globalization progressed, we still have physical, geographical and cultural differences. It is sometimes difficult to know the cultural and habitual differences of other countries, even though this kind of information is very important to communicate with foreigners.
    The exhibition "What's the difference between...?" will examine some aspects of Japan through the art pieces, dealing with every day life created by young Japanese artists. People who may expect specific Tokioish or Japanese kind of works to this show will be disappointed. The pieces in the exhibition are all dealing with familiar objects to both Japanese and Europeans, from the old days or from your closet or living room. Those works are originated in the artist's own domestic spheres, every day lives. All of the artists in this show were born in the 1960's to the 70's. They have grown up in the so called "post war era" of high economic growth in Japan. During that time, consumption was taken as a virtue and their parents worked really hard for a "Japan Corporation". They saw the bubble burst and a collapse of the myth of Japanese economic growth as they become adults. For the sake of such an experience the total collapse of their values changed everything. The fact that they have grown up in materialistic prosperity has made them cynical or apathetic about politics and the economy and even their own future. What they are interested in are the things or relationships surrounding them. Although economy is still stagnant, Japan is peaceful and affluent. In such an environment, the young people only pay attention to the familiar matters in everyday life. They are ecstatic about their hobby or fashion and seem to have adopted a principle of living only for the pleasure of the moment.
    This trend is seen in the artist's exhibition "What's the difference between...?", applying their art to the familiar objects and involve the audience. The art has risen from a specific cultural and historic background, but the works can be understood everywhere. Because the works evoke the feelings of joy, nostalgia, peace of mind, excitement, universal emotions of human beings. The title questions what people's stereotyped images towards specific countries are like, with Japan as an example. Information Technology and the wave of globalization are making these stereotyped images stronger. This exhibition dissolves those images of Japan because the artists themselves are Japanese and live in Japan. At the same time there is not enough consciousness in Japan about the own country in relation to other countries. The title "What's the difference between...?" is a paradox. You probably can't distinguish those works are made in Japan. This exhibition also questions West's ethnocentrism in art world. "It's a small world after all," but is it really? (hitomi hasegawa)

    works

    Is This Daidai-iro pattern of Plovers this Daidai-iro pattern of Plovers?

    Is This Midori-iro pattern of Plovers this Midori-iro pattern of Plovers?

    This Kon-iro Flower on an Aloha is this Kon-iro Flower on an Aloha.

    This Shu-iro checked pattern is this Shu-iro checked Pattern.

    Is this checked pattern with Shiro-iro this checked pattern with Shiro-iro?